The National Media Museum, Bradford, presents the 9th Fantastic Films Weekend (FFW) promising three fear-filled days of thrills and spine-tingling chills for fantasy, horror and sci-fi fans. This year’s Fantastic Films Weekend takes place from Friday 4 – Sunday 6 June.
We have a two pairs of weekend passes to offer out. One pair will go to the person who shares with us which film first gave them nightmares and why! The second pair go to a random pair of strangers who either nominate themselves or are nominated to go on a blind date! We will match you up! Don’t name names, just say which pair of tickets you are going for: blind date or not blind date! The Winners will be chosen by 2nd June. Don’t enter if you can’t go!
As part of the weekend the Museum welcomes British directors Stanley Long (Screamtime and cinematographer of The Sorcerers) and Michael Armstrong (The Image starring David Bowie and Mark of the Devil). This year, the weekend also includes a special guest appearance by English screenwriter and FFW patron Jeremy Dyson, best known for his contribution to the well-known British TV series, The League of Gentlemen.
Films screening over the weekend include Alfred Hitchcock’s Psycho, an exclusive midnight screening of Birdemic: Shock and Terror, a double-bill of horror with 28 Days Later and 28 Weeks Later and a selection of popular titles from the Museum’s own film archive including Robocop, The Giant Spider Invasion and Patrick.
Stanley Long has worked with the likes of Roman Polanski on Repulsion and with Peter Cushing on The Blood Beast Terror as well as on the 1960s classic The Sorcerers. He co-directed Screamtime with Michael Armstrong. Both British horror features will be screened at the 9th Fantastic Films Weekend; Stanley will also be signing copies of his autobiography X-Rated: Adventures of an Exploitation Filmmaker.
Writer/director Michael Armstrong is best-known for his cult horror films and for providing David Bowie with his screen debut in the short film The Image, which was also Michael’s first film. Michael will be discussing his career in the Museum’s Cubby Broccoli Cinema ahead of a screening of Mark of the Devil. The event starts at 6:15pm on Saturday 5 June. Mark of the Devil is a notorious and long-banned film in which a twisted witch hunter hands out God’s will, punishing an array of innocent women.
Hitchcock fans will be thrilled with the 1960 version of Psycho showing in the Museum’s Pictureville Cinema. This 50th anniversary re-release is a welcome reminder of Alfred Hitchcock’s genius for creating heart-stopping cinema. There will be three separate screenings of the classic thriller during FFW.
Fantastic Films Weekend is proud to announce a special midnight screening of Birdemic: Shock and Terror. Influenced by Hitchcock’s The Birds, Birdemic was first screened at the Sundance Film Festival in the United States and since has played to sell-out theatres across the USA. This amateur but cult film was created on a micro-budget by first time director James Nguyen who has been compared to legendary dud-maker Ed (Plan 9 from Outer Space) Wood.
For those who don’t scare easily, don’t miss the double-bill of shock that will leave viewers hanging on the edge of their seats with Danny Boyle’s zombie chiller 28 Days Later, where animal rights activists storm a laboratory and unwittingly unleash a plague virus that turns humans into mad-eyed, homicidal maniacs. The double-bill continues with 28 Weeks Later, starring Robert Carlyle. This sequel offers cat-and-mouse chases and lashings of gore and blood, definitely not for the faint-hearted.
Once again the National Media Museum has dug deep in its unique film archive and dusted off some blasts from the past that will be showing on the big screen during the weekend. The films include Robocop in which Officer Murphy’s memorable catchphrase “Dead or alive, you’re coming with me” will take fans back to the first time they watched this sci-fi action thriller. Other favorites from the vault include The Giant Spider Invasion, the rarely-seen Three Cases of Murder and Patrick.
Other film highlights from this year’s Fantastic Film Weekend include Plague Town, a film about an American family in search of their roots in Ireland who instead discover a small village with a terrible truth from generations past; Videodrome starring James Woods and eXistenz starring Jude Law. Both films – a David Cronenberg double-bill – are linked to the Immersion exhibition (running in Gallery Two until September 5), in which photographer and video artist Robbie Cooper focuses on our obsession with screen media. Finally, audiences will get the chance to see the sell-out Avatar 3D and Alice in Wonderland 3D on Yorkshire’s only IMAX screen.
Tony Earnshaw, Director of Fantastic Films Weekend said “More and more aficionados of fantastic film are journeying to Bradford to sample the wide range of films on offer. This year more titles than ever before – from Robocop to Secret Rites – have been unearthed from the National Media Museum’s unique archive and are being presented in FFW for the first time, thus making Bradford the premier destination for those seeking the weird, the wonderful and the plain bizarre. Our guests include exploitation king Stanley Long and writer/director Michael Armstrong, creator of the notorious Mark of the Devil whilst our patron Jeremy (The League of Gentlemen) Dyson is one of the speakers at the inaugural Fantasma symposium. Fasten your seatbelts for a bumpy few nights.”
For festival passes, day passes or individual tickets visit www.nationalmediamuseum.org.uk/fantastic or call the NMeM box office on 0870 7010200. Weekend pass £50 (£40 concs), day pass £20 (£15 concs) (passes do not include IMAX titles). 28 Days Later/28 WeeksLater double-bills £10 (£7 concs). Single tickets £6.50 (£4.50 concs), Imax DMR £9 (£7 concs) – FFW pass holders receive £1 discount on IMAX films.
Hmmmm.
You see.
I’m kind of embarrassed by this, and I have decided I need to man up about it all, but I will be honest for Culture Vultures and admit the fact that the first film I ever saw that scared me was
*ahem*
Scary Movie.
Which you’re thinking is extremely pathetic and now when you think about that film what on earth could be scary?!? But to me, as a 12 year old it was.
I think I wasn’t really subjected to scary films because when I was little I watched Jonathan Creek and the episode with the man who floated up the stairs and I just remember his fingernails, and the one with the electronic spikes underneath the window frame that killed people…
So you see if I were to win this I would definitely need to take someone non-squeamish with me who would cope when I jumped. Probably all the way through the films…
I probably really shouldn’t have admitted all that.
Oh yes! Think I might have to check out the 28 days/weeks later double bill, love those films now to find someone brave enough to see them with me.
I’ll go for a blind date please, Cilla.
I’d go for a blind date with a film buff…but they’d have to let me hide in their shoulder in the really scary bits
and the first film that ever scared me was…Jurassic Park. I was about 10 and actually pooed myself a bit from what I remember. I know its a ridiculous film but I’ve always been a little bit afriad on the monster kind of film.
Scariest film ever has to be Event Horizon. I would actually take on a zombie to see Robocop on the big screen- I once decided that I was going to write my dissertation on Robocop and its influence on David Lynch’s Twin Peaks, but that was before I discovered The Wire…
What a great resource!
I discovered what I was seeking for.