The most innovative and interesting aspect of David Harrower’s adaptation of Gogol’s classic tragi-comedy is the use BSL and audio description integrated into the production. We are used to seeing signers at the side of the stage for certain shows but here they take centre stage and the surtitles are almost a character in themselves.
Gogol’s sarcasm and farce was a bit much for the contemporary courtiers of his time but in a modern context it highlights the ridiculousness of much hierarchical power systems and the fallibility of individuals in their pay. Outright fraud and financial deviance is commonplace in this society and this makes it all the funnier that the imposter – Robin Morrissey as phoney inspector Khiestakov – is a blatant rip off too.
But all the other characters – whether it be dignitaries or the revolting commonsfolk – fall into the charm of a man they think can make or break their careers and force the fate of the village itself. Roxina Silbert’s direction makes the use of disabled actors and the aforementioned integrations quite seamlessly and without losing the thread and energy of the action. There is much masterful physical comedy and the ensemble’s movement is perfectly choreographed throughout.
It has a timeless feel, though we are reminded of the small town scene versus the decadence of St Petersburg’s fine society. Frequently laugh-out-loud and throughout grin-worthy this show opens up a whole new avenue for theatre that is inclusive and urgently vital. Expect fun and frolics with a little political propaganda thrown in for good measure.
Reviewed on 21st April 2016 at West Yorkshire Playhouse where it runs until 30th April.