This is a show that made reviewer RICHARD HORSMAN uncomfortable, and not only physically. Director Rod Dixon didn’t want audiences to “sit passively in a velvet space watching the story unfold from the distance of an auditorium.” Staging it in the Albion Electric Warehouse certainly achieves that, by creating an urban industrial aesthetic as real as the health and safety inspector would allow …
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The Reservation
The Reservation – part of Ellie Harrison’s Grief Series – Presented at The Wrens; reviewed by Katie Beswick (@ElfinKate).
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