Nigel Stone admires the hope displayed in this adaptation of the classic film Shawshank Redemption but doesn’t quite get the fear of its maximum security penitentiary setting.
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The Culture Vulture (Publishing) CIC
Nigel Stone admires the hope displayed in this adaptation of the classic film Shawshank Redemption but doesn’t quite get the fear of its maximum security penitentiary setting.
Read moreNigel Stone reviews Brian Gorman’s tragi-comic play on the history of Manchester that, in particular, follows the fate of Joy Division’s Ian Curtis
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