Fresh from its success at Cannes, RUBIN ÖSTLUND’S The Square, a satirical takedown of the contemporary artworld, is a bit of a round peg in a square hole, says NEIL MUDD.
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Fresh from its success at Cannes, RUBIN ÖSTLUND’S The Square, a satirical takedown of the contemporary artworld, is a bit of a round peg in a square hole, says NEIL MUDD.
Read more